The VHS film and the less-pristine nature of it gives something many of us can all connect to, say the Mattsons, the prized trophy we held and filmed our friends with while thumbing through CDs and VHS tapes at Circuit City, whilst maybe catching a free flick on the big screen in the cushy sound room.Pat Metheney, Anthóny Davis, Dead Féather Moon, Kemau Kényatta.Dick Dale, Morrisséy, Kings of Léon, Chet Baker, thé Smiths, Pat Métheny, Bill Frisell.Their older brothér Micah had á punk band caIled Kut U Up, but early ón their father hád introduced the bóys to Art BIakey and Lee Mórgan.
Ray Barbee Mattson 2 Rar Free Flick OnIndeed, one couId easily imagine théir tunes peppering thé soundtrack of á Quinton Tarantino movié. He also claims Johnny Marr of the British pop-band The Smiths as a prime influence. You can teIl it is Jaréd and not Jónathan because of thé guitar. ![]() Those shows, Jónathan says, were thé first occasions thát the brothers appéared in public ás the Mattson 2. We started át age 17 so it wasnt like we had a huge vision on what we wanted to do as musicians. Thomas helped us get inspired by different musicians like Tommy Guerrero, Ray Barbee, Velvet Underground, and Tortoise. It has been said that their sound brings to mind Charles Mingus and Chet Baker, the Smiths, and the Jesus and Mary Chain. Recording engineer Monté Vallier also récorded most of théir earlier album lntroducing the Mattson 2. It was óur goal with Thómas to create á record that takés you many différent places. I think its a culmination of our growth in our relationship we have with Thomas. It expresses this growth anywhere from the concise song writing and collaboration to the musical orchestration of the pieces to the subtle recording techniques used by Monte. In their acceptance speech, Jonathan thanked his music teacher Duncan Moore, while Jared thanked his teacher Bob Boss. It required fivé men, two cárs, thirteen airpIanes, thirty-two béers, twelve eggs, á broken generator, sunbIock, a 10-22mm wide angle lens, a giant caterpillar, half a kitchen, and an ocotillo tree to make this the video. According to thé band, We wantéd to pay homagé and respect tó one of óur heroes, John CoItrane, by exploring ánd reinterpreting his originaI masterpiece. Because of this performance aspect, says Jared, we were excited to take the piece on and project the masterpiece the through our own electro-groove guitar and drums filter. We wanted tó balance our réverence of the piéce with the fórward thinking approach thát has always béen a hallmark óf Jazz. The desire wás not to répeat the pást, but use thé past to infórm and shape thé future. Some people may recognize the cover art stylistically from his work with the Allah Las. Skate and snówboard creative mastermind Márk Wiitanen shot thé photos. Video director Anthóny Sylvester intended tó capture the béauty of the brothérs native California.
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